A long sloping wooden trough running through the dim timber roof space of an old theatre, with a few heavy wooden balls resting at its top
soundboardeffect

SOUND EFFECTS BEFORE SPEAKERS

Thunder,
rolled by hand.

CRANK, ROLL, TILT weather on cue

AI-generated image, not a photograph of a real person or place.

Georgian audiences heard storms made of wood.

In the roof of a Bristol theatre opened in 1766, crews rolled heavy balls down a sloping wooden trough so thunder rumbled over the audience. Wind came from a canvas drum, rain from a tilting box of dried peas.

Pick a storm sound

THE SHORT ANSWER

Every storm sound
had its own machine.

Theatres built simple machines for each kind of weather.
Some were boxes; one was built into the roof.

THUNDER RUN

Balls in the rafters

At the Bristol Old Vic, a wooden trough slopes above the stage. Heavy balls rolled down it so thunder reverberated over the audience's heads.

See the numbers

WIND MACHINE

Canvas over slats

A V&A example from about 1900 is a slatted wooden drum under a stretched canvas sheet. Turning the handle makes the slats rub against the canvas to imitate wind.

Compare the machines

THUNDER SHEET

A sheet you shake

Most theatres used something less cumbersome than a thunder run: a metal thunder sheet rattled offstage, often alongside a rain box and a wind machine.

Make your own
A large thin metal sheet hanging from a rope in a dim backstage corner, ready to be shaken for thunder
AI-generated image, not a photograph of a real person or place.

FOUR STORM SOUNDS TO TRY

A storm from
the kitchen drawer.

The old machines work on simple ideas you can try at home or in a school play: things rolling, rubbing and pattering.

  1. Rain in a box

    Tilt a shallow lidded box of dried peas or rice slowly from end to end. Old rain boxes had ledges nailed inside to break up the patter.

  2. Wind from a drum

    Old wind machines rubbed wooden slats against canvas. Dragging fabric steadily across a ridged surface gives a similar rising and falling whoosh.

  3. Thunder from a sheet

    Hold a large thin sheet of card or metal by one edge and shake it. Most theatres made thunder this way rather than building a thunder run.

  4. Rolling thunder

    Roll a heavy ball along a hollow wooden surface. The thunder run used the theatre's own roof timbers to carry the sound.

TWO NUMBERS WORTH KNOWING

A rare machine,
and an old one.

How few working thunder runs are left in the UK,
and how far Bristol's predates the rest.

3

Working thunder runs left in the country

Bristol Old Vic says its thunder run is one of only three working examples remaining; the other two are in London theatres.

WORKING THUNDER RUNS · UK

150+ years

How much older Bristol's is than the next

Theatre historians testing the Bristol thunder run in 2016 found it predates the next oldest working example by more than 150 years.

AGE · BRISTOL OLD VIC

The Bristol thunder run's last recorded use before its 2016 revival was in 1942. Testing different balls, the team concluded the originals were probably wood, not the lead cannonballs long assumed.

A QUICK MACHINE CHECK

Which storm sound
do you need?

Pick a sound to see the machine theatres used for it. The bar shows how big the machine is, from a box you can carry to one built into the building.

Descriptions come from museum records and from the Bristol Old Vic's own account of its thunder run.

Machine check

Choose a sound
RainRain box

A canvas-covered wooden box of dried peas or small stones that pivots on a stand. Tilting it sends the peas pattering past ledges inside, like rain.

WindWind machine

A slatted wooden drum, 37 cm across in the V&A example, under a canvas sheet. Cranking the handle drags the slats against the canvas.

A crack of thunderThunder sheet

A metal sheet hung offstage and rattled. It was the less cumbersome choice that most theatres used instead of a thunder run.

Rolling thunder overheadThunder run

A wooden trough built into the roof space above the audience. Balls rolled down it, and dividers let the crew control when each one went.

Sources: V&A Theatre and Performance Collection records S.387-2002 (wind machine) and S.388-2002 (rain machine); Bristol Old Vic archive; Hyperallergic and Smithsonian Magazine, 2016.

An old wooden wind machine backstage: a slatted drum covered with a canvas sheet, turned by an iron crank handle on a wooden stand
AI-generated image, not a photograph of a real person or place.

WHERE THE MACHINES SURVIVE

Still working,
250 years on.

The Bristol Old Vic opened in 1766. Its thunder run is part of the Grade I listed building, was restored in 2012 and was used again in 2016 for King Lear, the play in which a king rages against a storm.

The Palace Theatre at Drottningholm in Sweden, also built in 1766, is described by UNESCO as the only surviving 18th-century theatre where the original stage machinery is still regularly used, allowing scene changes with the curtain up.

In conversation

Questions people ask

What is a thunder run?

A wooden trough built into a theatre's roof space. Bristol Old Vic describes balls being rolled down it during performances so peals of thunder reverberated above the audience.

Were cannonballs really used?

That was long believed. When the Bristol team tested different balls in 2016, they found heavy wooden balls gave the best sound and concluded the originals were probably wood.

How did a wind machine work?

A V&A example from about 1900 has a slatted wooden drum under a stretched canvas sheet. Turning an iron handle makes the slats rub against the canvas.

How was rain made on stage?

With a rain box: a canvas-covered wooden box of dried peas or small stones that pivots on a stand, so the contents rush from end to end.

Where can I see old stage sound machines?

The V&A Theatre and Performance Collection holds a wind machine, rain machine and gun rattle from the Cripplegate Institute theatre. Bristol Old Vic hopes to offer tours of its thunder run.

Sources

Each figure on this page comes from the sources below.

  1. Bristol Old Vic archive: The Thunder Run
  2. Hyperallergic: A Theater's 18th-Century Thunder Run Rumbles Once More (2016)
  3. Smithsonian Magazine: A New Production of King Lear Features 18th-Century Special Effects
  4. V&A Collections: Sound machine (wind machine), S.387-2002
  5. V&A Collections: Sound machine (rain machine), S.388-2002
  6. UNESCO World Heritage Centre: Royal Domain of Drottningholm

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